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Anatomy Workshop Volume 1

A Workshop
by Charles Hu

Structure and Proportion with Charles Hu

beginner
1h 55m 37s
14 Lessons
A Workshop
by Charles Hu
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In this first lecture of a series focusing on human anatomy as it relates to figurative art, figure painter and instructor Charles Hu discusses key skeletal and muscular landmarks along with methods for maintaining the correct proportional relationships between the various structures of the human body. Throughout the lecture, Charles refers to skeletal reference to illustrate how skeletal elements not only connect, but more importantly, how these structures move in relation to one another, providing a clear roadmap for maintaining correct proportional relationships in your figure drawings. 

Charles begins with an initial "mechanical" representation of the human form from the front view. He first discusses the basic proportions and structures of the human head. As the human head is often used as the base unit of measurement in figure drawing, the important landmarks and relationships between the brow region, eye sockets, cheek bones, nose, mouth and chin will be explored in great detail. After blocking in the head, the neck and shoulder area is discussed before moving down to the chest, stomach and pelvis regions. Again, key structural landmarks are discussed in order to understand the anatomical, structural, and proportional importance of each. 

Charles then moves on to discuss arms and legs, along with correct proportional guides for laying in key elements like elbows, wrists, knees and ankles. Once completed with the anatomical sketch from the front view, he moves onto the drawings from both the back and side views, providing a clear and comprehensive study of the base human form. Suitable for all artists developing their understanding of the figure and its complex anatomical relationships, this lecture and demonstration is an immersive and critical foundation.

14 Lessons

01IntroductionFree

This introductory lesson for Charles Hu’s workshop establishes a clear, structured approach to learning drawing and anatomy. By breaking down the complex subject into three focused segments such as starting with proportions, Charles provides artists with a logical progression for mastering human figure drawing. This methodical approach mirrors professional art education and sets the foundation for developing strong anatomical drawing skills.

Duration: 35s

Introduction
02Lay-in and Head (Front)Free

This tutorial provides foundational knowledge for drawing anatomically proportioned heads by using a systematic approach of measurements and landmarks. Charles emphasizes that understanding basic proportions and identifying key corner landmarks enables artists to accurately render the head from various angles. This skeletal construction method serves as a reliable framework that can be adapted for both male and female subjects.

Duration: 9m 40s

Lay-in and Head (Front)
03Neck and Shoulder (Front)

This lesson provides multiple complementary techniques for accurately drawing the neck and shoulders. Charles emphasizes triangular relationships throughout the figure to give artists a versatile tool applicable beyond just the shoulders. By understanding the underlying anatomy, artists can better anticipate how proportions shift across poses, enabling them to render both realistic and stylized figures successfully.

Duration: 13m 5s

Neck and Shoulder (Front)
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04Torso (Front)

This lesson emphasizes understanding anatomical relationships and alignment points rather than memorizing isolated measurements. By connecting features like the chest line and ribcage corners, artists learn to create more harmonious figures. Charles demonstrates how to distinguish among body types based on skeletal structure and fat distribution patterns.

Duration: 10m 5s

Torso (Front)
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05Pelvis and Legs (Front)

Charles provides essential anatomical knowledge for figure drawing, emphasizing the importance of maintaining accurate proportions while understanding where artistic liberties can be taken. The key message is that certain measurements must remain consistent for anatomical accuracy, while other areas can be stretched for stylistic effect, and artists discover how to apply these techniques to idealized subjects.

Duration: 13m 3s

Pelvis and Legs (Front)
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06Arms (Front)

This lesson teaches artists a slightly stylized approach to figure drawing that elongates proportions for aesthetic effect while maintaining anatomical logic. Charles shows that even when stylizing, certain anatomical landmarks must be respected to maintain believable proportions. The eight-head system provides a reliable framework for consistently proportioned figure drawing.

Duration: 7m 39s

Arms (Front)
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07Lay-in (Back)

Understanding back anatomy is a vital step when drawing the human figure. By identifying key landmarks and using geometric shapes as guides, Charles demonstrates how to construct an accurate back view of the human figure while maintaining proper proportions. This methodical approach helps artists explore the underlying structure of the human body from the posterior view.

Duration: 3m 29s

Lay-in (Back)
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08Head and Torso (Back)

Accurate figure drawing requires understanding the underlying skeletal structure and how it relates to surface anatomy. By learning proportional relationships and visualizing three-dimensional planes, artists can create more realistic figure drawings. Charles demonstrates how the counterbalancing relationship between the ribcage and pelvis creates dynamic, lifelike poses.

Duration: 10m 19s

Head and Torso (Back)
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09Legs (Back)

Charles emphasizes the importance of understanding the underlying anatomical structure and geometric planes when drawing the human figure. By recognizing how muscles, tendons, and bones relate through planes and corners, artists learn to create more accurate and dimensional representations of the lower body.

Duration: 9m 30s

Legs (Back)
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10Arms (Back)

Successful figure drawing from the back view requires understanding both the underlying anatomical structure and proper proportions. Charles stresses the importance of recognizing natural curves in limbs and the critical role of the shoulder blade. Artists discover that mastering the eight-head proportion system helps create more accurate and realistic figure drawings.

Duration: 5m 31s

Arms (Back)
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11Lay-in (Side)

This lesson emphasizes that successful figure drawing depends on understanding anatomical relationships and connections. By simplifying complex curves and maintaining proper proportions, artists can create more dynamic and cohesive human figures. Charles teaches that the key is to view the body as an interconnected system where gesture lines guide the overall composition.

Duration: 6m 3s

Lay-in (Side)
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12Head (Side)

This lesson provides a systematic, anatomically-based approach to drawing the human head in profile. By understanding the underlying skeletal structure and using proportional landmarks, artists learn to accurately construct heads from various angles. Charles highlights that three-dimensional form is crucial for creating realistic, well-proportioned portrait drawings.

Duration: 11m 4s

Head (Side)
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13Torso (Side)

Charles breaks down how successful figure drawing relies on understanding the rhythmic flow of the human form. The zigzag pattern of high and low points creates energy and an organic quality that gives drawings a lively, balanced feel. Artists learn that mastering these rhythms in both individual muscles and overall poses is essential for creating dynamic, anatomically convincing figure drawings.

Duration: 8m 6s

Torso (Side)
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14Arms and Legs (Side)

In this final lesson, Charles emphasizes that realistic figure drawing thrives on understanding anatomical structure, strategic use of overlap for depth, and balancing organic curves with geometric landmarks. A focus on the leg's characteristic S-curve and the importance of showing angular points demonstrates that avoiding excessive roundness is key to moving toward anatomically accurate figure work.

Duration: 7m 28s

Arms and Legs (Side)
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Skills Covered

Who’s this Workshop for?

This workshop is structured for beginner to intermediate artists who want to develop a solid foundation in figurative drawing and human anatomy. Art students, illustration professionals, and painters seeking to improve their understanding of proportional relationships and structural landmarks will find Charles Hu's workshop valuable.


Digital artists, concept designers, and traditional painters transitioning into figure work will also benefit significantly from Charles' systematic methodology. The workshop provides essential knowledge for anyone looking to create more accurate, proportionally sound human figures while understanding the underlying skeletal and muscular structures that inform figurative art.

Learning Outcomes

At the end of the workshop, artists will have gained fundamental knowledge of human anatomy, proportional relationships, and structural landmarks essential for accurate figure drawing.


Key skills include:

  • How to use the human head as a base unit of measurement for proportional figure drawing.
  • How to identify and utilize key skeletal landmarks for maintaining structural accuracy in drawings.
  • How to establish correct proportional relationships between head, torso, arms, and legs from multiple viewpoints.
  • How to understand anatomical connections and how body structures move in relation to one another.
  • How to block in major body regions including chest, pelvis, and limb segments with proper proportions.
  • How to create mechanical representations of the human form from front, back, and side views.
  • How to analyze facial landmarks, including brow, eye sockets, cheekbones, nose, mouth, and chin relationships.
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Workshop
Anatomy Workshop Volume 1
Structure and Proportion with Charles Hu
A Workshop by Charles HuFigure Painter
beginner
1h 55m
14 Lessons
Instructor Charles HuFigure Painter

Charles Hu is a figure painter and art instructor with over 26 years of experience teaching figure painting and sketching. A 2002 graduate of ArtCenter College of Design, he was hired by the school immediately after graduation to teach, beginning a long career in education and mentorship.


Charles has been commissioned for portraits, illustration painting, character designs for films and game pitches, murals, and comic book art, including work for the film End of the Spear. His artwork has been featured in ImagineFX Magazine and exhibited at Wendt Gallery, demonstrating his expertise in both classical and contemporary figurative art.

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