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Workshop

Figure Fundamentals Volume 2

A Workshop
by Van Arno

Construction For Perspective and Volume with Van Arno

intermediate
2h 47m 12s
8 Lessons
A Workshop
by Van Arno
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Van Arno's series on drawing the human figure continues in Volume Two with discussions on drawing a male model. The anatomical differences from the female are noted. Poses of action and contortion then lead to a discussion of volumes in three dimensions. Van demonstrates how, with longer poses, the model can be drawn with simple volumes and then redrawn from another angle, without the model present. This exercise develops volumetric vocabulary and the ability to draw accurately, and in perspective, without pose reference. This is a vital skill for production and storyboard artists, where the angle of view is determined by a script or a director. Tone and light then are discussed in a final long pose. This figure drawing bootcamp is a valuable lesson for all aspiring figurative artists as Van Arno shares his thoughts and techniques acquired over an accomplished career as an industry and gallery artist.

8 Lessons

01IntroductionFree

Van Arno introduces Volume 2 in his series, emphasizing the importance of active learning through practice. Van makes it clear that artists will gain significantly more from the experience by drawing along with the video demonstrations. His workshop will bridge foundational skills with more complex figure drawing concepts, making it suitable for students ready to advance beyond basic techniques.

Duration: 34s

Introduction
02Introduction to drawing methodologyFree

In this lesson, Van emphasizes that successful figure drawing begins with understanding fundamental shapes, proportions, and spatial relationships rather than details. By using the head as a consistent measurement tool, blocking in simple forms, and checking work with negative space, artists can learn how to build accurate figure drawings that can later be refined with details. His willingness to make corrections throughout demonstrates that drawing is an iterative process of observation and adjustment.

Duration: 13m 20s

Introduction to drawing methodology
03Two-minute poses for proportion and gesture

Two-minute figure drawings are an essential warm-up exercise that teaches artists to quickly capture the most important aspects of a pose: gesture, proportion, and spatial relationships. By focusing on gestural lines, major body masses, negative space, and key anatomical landmarks rather than details, artists can learn how to create solid foundational drawings that can be developed further or stand alone as dynamic gesture studies. Van's disciplined approach trains the eye to see relationships and proportions quickly — a fundamental skill for all figurative artists.

Duration: 28m 10s

Two-minute poses for proportion and gesture
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04Five-minute poses of extreme dynamic action

This lesson demonstrates how successful figure drawing is built on a foundation of quick, accurate gesture drawings that capture essential proportions and relationships. By resolving these fundamental issues in the first two minutes, artists can learn how to confidently add detail and refinement to longer poses while maintaining the original gestural flow. Van's emphasis on using negative space, trusting observation over assumption, and employing anatomical landmarks provides practical strategies for creating dynamic, proportionally accurate figure drawings.

Duration: 25m 51s

Five-minute poses of extreme dynamic action
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05Longer poses introducing volumetrics Part 1

In this lesson, Van demonstrates that mastering volumetrics is essential for artists who need to depict figures in three-dimensional space from imagination. By systematically analyzing and recording how each body part exists in depth relative to the viewer, artists can learn how to not only create more convincing drawings from life but also manipulate and redraw those figures from entirely different camera angles. This skill is particularly valuable for professional applications like storyboarding and concept art, where flexibility and spatial understanding are crucial.

Duration: 34m 2s

Longer poses introducing volumetrics Part 1
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06Longer poses introducing volumetrics Part 2

This lesson demonstrates that successful figure drawing requires systematic analysis of perspective, proportion, and three-dimensional form rather than simply copying contours. Van's willingness to continuously revise and correct his work emphasizes that drawing is an iterative problem-solving process. By breaking down complex poses into manageable steps (gesture, construction, volume, and tone) and maintaining flexibility throughout, artists can learn how to tackle challenging foreshortened poses with confidence.

Duration: 38m 41s

Longer poses introducing volumetrics Part 2
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07One long pose with emphasis on tone

This lesson showcases that successful figure drawing relies on careful observation, constant measurement checking, and building from simple structural shapes to refined details. Van's practice of adjusting and correcting throughout the process — even humorously accepting an oversized hand by referencing Michelangelo — illustrates how drawing is iterative, and requires flexibility and continuous reference to the subject. His combination of structural planning with responsive observation creates a balanced approach suitable for developing artists.

Duration: 25m 42s

One long pose with emphasis on tone
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08Outro

This lesson concludes Van's workshop with a review of how drawing is best learned through hands-on practice. He encourages artists to check out Volumes 3 and 4 of his workshop series, which explore different drawing techniques, including gestural methods and more detailed rendering. His series offers a comprehensive curriculum for artists to develop their figure drawing skills.

Duration: 52s

Outro
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Skills Covered

Who’s this Workshop for?

This workshop is designed for intermediate to advanced artists who want to strengthen their ability to draw the human figure as a three-dimensional form rather than a static pose. It is especially valuable for storyboard artists, production artists, and concept designers who need to draw figures accurately from multiple angles based on narrative or camera direction rather than live reference.


Illustrators, gallery artists, and figurative draftsmen seeking to deepen their understanding of the body's volume will also benefit from this training. The workshop emphasizes spatial thinking, structural clarity, and professional drawing habits developed through years of industry and fine art practice.

Learning Outcomes

By completing this workshop, artists will develop a strong volumetric approach to figure drawing and gain the ability to construct and redraw figures convincingly from any viewpoint.


Key skills include:

  • Understanding key anatomical differences between male and female figures and how they affect form and structure.
  • Constructing dynamic action poses and extreme contortions with clear three-dimensional logic.
  • Breaking the human figure down into simple volumetric forms that support accurate perspective drawing.
  • Redrawing figures from new angles without relying on live or photo reference.
  • Applying perspective principles to figures for production, storyboard, and narrative-driven work.
  • Using tone and lighting to reinforce volume, depth, and form in longer figure studies.

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Workshop
Figure Fundamentals Volume 2
Construction For Perspective and Volume with Van Arno
A Workshop by Van ArnoPainter
intermediate
2h 46m
8 Lessons
Instructor Van ArnoPainter

Van Arno (1963-2021) was a Los Angeles–based figurative painter whose work has been exhibited in the U.S. and internationally for nearly 20 years. With a diverse background spanning illustration, amusement park design, 2D and 3D game art, animation, and character design, Van brought a unique perspective to the art world.


His paintings have been featured in Juxtapoz magazine and included in national surveys of Lowbrow painters. Fascinated by the imagery of propaganda and the heroic figure, Van focused on the power of the human form to captivate and engage viewers. His work continues to be admired for its dynamic, compelling figures and the way it blends narrative, emotion, and visual impact.

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  • Van's art demonstrates an astonishing talent in depicting the human figure in every possible position, creating a strong emotional and expressive impact on viewers. His contorted and interlocked postures show an impressive knowledge of the figurative repertoire, ranging from Hellenistic art through the Mannerist artists, to the best examples of today's comic books and illustrations. Van is one of the most impressive manipulators of the human body I've ever seen in the field of painting.

    - Nicola Verlato
    Painter / Sculptor

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