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Workshop

Figure Fundamentals Volume 3

A Workshop
by Van Arno

Drawing the Female Head with Van Arno

intermediate
3h 26m 29s
11 Lessons
A Workshop
by Van Arno
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Head drawing is tricky for both beginning and experienced figurative artists. This is because we have preconceived notions about how features should look, and this undermines our ability to let observation of the model drive our composition. As in all figure drawing, striving to make things look how we think they should look interferes with our ability to draw what we see. This difficulty is multiplied when we draw the head due to our many misconceptions about its structure. In this lecture, Van Arno focuses on head proportions and the understanding that the cranium and jaw respond differently in perspective. This allows us to render accurately at progressively more ambitious angles. Van then expands this knowledge with short poses of facial expressions and longer poses that focus on tone and likeness. As usual, students are encouraged to draw along with the instructor to solidify the concepts discussed.

11 Lessons

01Introduction to the proportions of the headFree

Van Arno introduces the third volume in his workshop series, emphasizing the difficulty of drawing the human head due to both perceptual biases and complex structural considerations. The key to improvement is active practice alongside instruction. Understanding that, while basic proportions provide essential scaffolding, features like the mouth require special attention to perspective because they operate on their own forward-projecting anatomical structures. Mastering these fundamentals through hands-on practice, rather than passive viewing, is the best way to internalize these concepts effectively.

Duration: 13m 38s

Introduction to the proportions of the head
02Five minute poses at various angles

This lesson emphasizes that portrait drawing is fundamentally about understanding structure and spatial relationships rather than memorizing fixed rules. Van's willingness to adjust and correct their initial lines throughout each five-minute sketch illustrates that flexibility and observation are more important than getting everything perfect on the first try. Van explains how the key is to establish basic geometric structure first, then refine proportions by constantly comparing relationships between features while remaining aware of how perspective affects what we see.

Duration: 19m 4s

Five minute poses at various angles
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03Five minute poses at various angles reviewFree

This lesson demonstrates that successful portrait drawing relies on accurate proportions and an understanding of subtle technical choices that significantly affect the final result. The most important takeaway is proper eye placement, as this is where beginners most commonly go wrong. Additionally, Van shows why flattering portraits require thoughtful decisions about where to place shadows and lines, and that sometimes suggesting features through tone rather than explicit lines can create more appealing, realistic results.

Duration: 7m 27s

Five minute poses at various angles review
04Twelve minute poses that establish lights and darks

This lesson emphasizes that portrait drawing is a process of constant observation, adjustment, and refinement rather than trying to get everything perfect from the start. Van shows how to acknowledge and correct mistakes (such as when eyes are placed too high) and models good artistic practice. He prioritizes working methodically from large shapes to details, maps shadows to create form, and maintains continuous reference to the model throughout the drawing process, allowing guidelines to serve their purpose without becoming rigid constraints.

Duration: 25m 46s

Twelve minute poses that establish lights and darks
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05Two minute expression poses

This lesson demonstrates the value of Van's quick, expressive portrait studies as a way to practice fundamental skills while exploring emotional range. He shows that, even with time constraints, applying basic structural principles produces effective results, and that loosening up from strict rules allows artists to integrate their knowledge more naturally. His progression from simple to exaggerated expressions illustrates how quick sketching can be both educational and enjoyable, helping artists understand facial anatomy through practical, energetic practice.

Duration: 12m 36s

Two minute expression poses
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06Evaluating the poses

This lesson shows why mastering head perspective depends on understanding and using the eyebrow line as a foundational guide. By recognizing how this line angles across different head positions, artists can learn how to accurately predict how facial features will compress, expand, or change in visibility. Van encourages embracing challenging angles rather than avoiding them, and using tone rather than outlines to solve structural problems — particularly when rendering the connection between the head and neck.

Duration: 9m 9s

Evaluating the poses
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07Five minute poses of a contrasting facial type

This lesson demonstrates that successful portrait drawing from challenging angles requires understanding structural principles rather than simply copying what you see. Van teaches why it's important for artists to critique their own work, revealing how even experienced artists must constantly check proportions and adjust perspective. He explains why establishing the correct angular framework early — and being willing to move features when something "feels wrong" — leads to more believable foreshortening than trying to perfect individual features in isolation.

Duration: 27m 13s

Five minute poses of a contrasting facial type
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08Twenty minute pose using toned paper

This lesson emphasizes a methodical approach to portrait drawing on toned paper, working from general shapes to specific details while managing three values: darks, lights, and the paper's mid-tone. Van reviews elongated facial features and demonstrates how to treat them as a learning opportunity — again, encouraging viewers to draw along during the session as the best way to learn. His lesson shows how extended observation reveals increasingly subtle details, particularly in shadow areas, enabling continual refinement of a drawing.

Duration: 21m 17s

Twenty minute pose using toned paper
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09Five minute poses in perspective

In this lesson, Van emphasizes that successful portrait drawing in perspective requires disciplined planning and structural understanding before executing details. He demonstrates this by establishing accurate angle lines and using anatomical landmarks such as the eyebrow-ear line, showing artists how to confidently place facial features even in challenging perspectives. Repeated practice of quick 5-minute sketches reinforces that proper foundational work saves time and produces more accurate results than rushing into detailed rendering.

Duration: 31m 50s

Five minute poses in perspective
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10Two minute expression poses in perspective

This lesson explains why capturing facial expressions effectively requires quick observation and an understanding of how emotion affects facial structure, particularly the eyebrows and eyes. Van shows that expression drawing is a skill built through repeated practice with timed exercises, and how working at different scales can help artists develop their observational abilities and mark-making efficiency. His session serves as a warm-up technique before tackling longer, more detailed poses.

Duration: 13m 23s

Two minute expression poses in perspective
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11Twenty minute long pose using toned paper

This final lesson in Volume 3 provides a comprehensive look at Van's approach to portrait drawing on toned paper, emphasizing the importance of structural thinking and seeing features as simplified geometric shapes. His method of building gradually from light structures to refined details, while maintaining a balance between planning and spontaneity, offers valuable insights for developing figure drawing skills. He explains why consistent, regular practice is the fundamental path to improvement in drawing.

Duration: 25m 6s

Twenty minute long pose using toned paper
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Skills Covered

Who’s this Workshop for?

This workshop is intended for beginning to intermediate artists who want to improve their ability to draw the human head with accuracy, structure, and confidence. It is especially helpful for artists who struggle with facial proportions, perspective distortion, or drawing what they see rather than relying on preconceived ideas of how features “should” look.


Illustrators, fine artists, portrait artists, and character designers will also benefit from Van Arno’s analytical approach to head construction and observation. The workshop supports artists looking to strengthen their foundational skills in portrait drawing while developing better spatial awareness and professional drawing habits.

Learning Outcomes

By completing this workshop, artists will gain a clearer structural understanding of the human head and improve their ability to draw convincing likenesses from observation.


Key skills include:

  • Understanding fundamental head proportions and how they shift across different viewing angles.
  • Recognizing how the cranium and jaw behave differently in perspective.
  • Overcoming habitual drawing shortcuts and preconceived notions about facial features.
  • Accurately drawing the head at increasingly complex angles with structural confidence.
  • Capturing facial expressions through short pose studies that emphasize clarity and form.
  • Using tone and value to reinforce volume, depth, and likeness in longer head studies.

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Workshop
Figure Fundamentals Volume 3
Drawing the Female Head with Van Arno
A Workshop by Van ArnoPainter
intermediate
3h 25m
11 Lessons
Instructor Van ArnoPainter

Van Arno (1963-2021) was a Los Angeles–based figurative painter whose work has been exhibited in the U.S. and internationally for nearly 20 years. With a diverse background spanning illustration, amusement park design, 2D and 3D game art, animation, and character design, Van brought a unique perspective to the art world.


His paintings have been featured in Juxtapoz magazine and included in national surveys of Lowbrow painters. Fascinated by the imagery of propaganda and the heroic figure, Van focused on the power of the human form to captivate and engage viewers. His work continues to be admired for its dynamic, compelling figures and the way it blends narrative, emotion, and visual impact.

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  • Van's art demonstrates an astonishing talent in depicting the human figure in every possible position, creating a strong emotional and expressive impact on viewers. His contorted and interlocked postures show an impressive knowledge of the figurative repertoire, ranging from Hellenistic art through the Mannerist artists, to the best examples of today's comic books and illustrations. Van is one of the most impressive manipulators of the human body I've ever seen in the field of painting.

    - Nicola Verlato
    Painter / Sculptor

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