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Workshop

Character Animation and Video Reference

A Workshop
by Sarah Arduini

Professional Workflow with Sarah Arduini

beginner
3h 26m 59s
8 Lessons
A Workshop
by Sarah Arduini
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Video reference is fundamental to the planning phase of your animation and good reference is your road map. If your reference is poorly executed then your animation will be as well. In this workshop, Sarah Arduini, Senior Character Animator and Key Artist, will share the tools and process she uses during her daily workflow when creating video reference for films with a focus on the theory behind the practice. It’s really important not to rush into the animation.


Planning allows you to save a lot of time in the long run since you’ll have a detailed guide of all your thoughts about the project. In this lesson, an in-depth analysis will be done on the video reference highlighting the main poses, studying the timing, weight shifts, and stripping away all the unnecessary elements and preserving just those moments that count. Sarah thoughtfully explains all the important reasons behind every choice made and each process taken going from blocking to spline/polishing. You will learn the importance of video reference and the difference between the training and work approach.


Sarah covers tips on how to act in front of a camera in order to create a believable performance and demonstrates how to shoot your own video reference when none is available while choosing the right technical aspects of cameras, fps, lights, props, and so on. Using a wide variety of editing software, you'll improve the quality of your video reference outside and inside Maya and have a full understanding of the emotional wave of the sequence/story before shooting the video reference while thinking about the subtext. At the end of this workshop you will be able to make and use video reference as professionals do and have the ability to break down the reference to better understand the body mechanics & subtle nuances and craft a quick-yet-well done video reference that will speed up your workflow.

8 Lessons

01IntroductionFree

Sarah Arduini introduces her workshop, which provides an approach to using video reference as a professional animation tool. Sarah's methods rely on capturing and analyzing real human performance to create animated characters that audiences find authentic and emotionally engaging. By mastering video reference techniques, artists can learn how to work more efficiently and produce stronger results in their character animation work.

Duration: 3m 5s

Introduction
02Video Reference PlanningFree

Sarah teaches how professional animation requires thorough preparation through reference gathering and analysis. By studying real-world motion, emotion, and performance through various reference materials, artists can develop the confidence and knowledge to create performances that satisfy both themselves and directors. Sarah's combination of solid workflow, careful observation, and artistic interpretation transforms the animator's role from simply moving characters to giving them soul and life.

Duration: 17m 28s

Video Reference Planning
03Setting Up with Acting Tips

Creating an effective video reference for animation requires a deep analysis of character psychology, dialogue subtext, and performance rhythm. By understanding that the vast majority of communication happens through body language and tone, artists can learn how to create performances that feel genuine. In this lesson, Sarah explains why the key lies in thorough preparation, a willingness to experiment with multiple approaches, and ensuring technical quality so that the references translate effectively to the final animation.

Duration: 27m 57s

Setting Up with Acting Tips
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04Edit Your Reference — Part 1

This lesson highlights how successful video reference doesn't just capture movement — it's about selecting and editing footage that conveys the character's intended message. Sarah demonstrates that, sometimes, you must sacrifice visually appealing movements if they don't support the core message. She teaches how, by properly analyzing, selecting, and editing reference footage, artists can learn to create a clear roadmap that makes the animation process more focused and efficient.

Duration: 31m 26s

Edit Your Reference — Part 1
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05Edit Your Reference — Part 2

This lesson shows how, by combining Maya techniques with compositing workflows, artists can learn how to transform problematic footage into clear, usable reference material. Sarah's methods showcased prioritize efficiency and animator-specific needs, making video reference preparation accessible even to those unfamiliar with compositing software.

Duration: 50m 29s

Edit Your Reference — Part 2
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06Blocking to Spline — Part 1

This lesson focuses on effective animation blocking for communicating story and emotion through clear, well-chosen poses. By studying video reference to understand realistic body mechanics, maintaining artistic exaggeration, and identifying key emotional moments, artists can learn how to create a solid foundation that gets early approval and guides the refinement process. Thoughtful planning and strategic simplification in the early stages ultimately save time and produce more believable, appealing character animation.

Duration: 30m 50s

Blocking to Spline — Part 1
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07Blocking to Spline — Part 2

Success depends on adding sufficient detail during the “blocking plus” phase, managing technical constraints like IK/FK switching, and understanding that polishing could continue indefinitely but must be balanced against production deadlines. Sarah teaches how to work incrementally, get approvals at each stage, and recognize that perfection must be balanced with practical time constraints.

Duration: 41m 6s

Blocking to Spline — Part 2
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08Tips and Tricks

Sarah shares her key tips and tricks with a focus on how great animation requires a balance of technical precision and artistic sincerity. Proper planning, good quality video references, and attention to emotional authenticity are essential foundations. However, the true magic happens when artists learn how to use these tools as inspiration rather than limitation, infusing their work with genuine emotion and clear staging while continuously challenging themselves to grow and improve their craft.

Duration: 4m 38s

Tips and Tricks
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Primary tools

For this workshop you’ll need:

Premiere
Natron
Fusion
QuickTime
Maya

* Note that these programs and materials will not be supplied with the course.

Skills Covered

Who’s this Workshop for?

This workshop is designed for beginner to advanced character animators who want to elevate their process. Whether working in feature films, television, or games, this training focuses on professional-grade reference creation techniques that industry veterans use daily.


Students, junior artists, and self-taught animators will also find tremendous value in learning these skills. Understanding how to create and analyze video reference properly will dramatically improve animation quality while reducing revision cycles and streamlining workflow in any production environment.

Learning Outcomes

By completing this workshop, artists will have mastered professional techniques for creating, analyzing, and implementing video reference for high-quality character animation.


Key skills include:

  • How to plan and shoot effective video reference using proper camera angles and technical settings.
  • How to perform believable acting for reference while considering subtext and emotional storytelling elements.
  • How to analyze reference footage to identify key poses, timing, and weight shifts.
  • How to edit and enhance video reference using various software.
  • How to break down complex performances into essential animation beats.
  • How to integrate reference analysis into blocking and spline workflows.

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Workshop
Character Animation and Video Reference
Professional Workflow with Sarah Arduini
A Workshop by Sarah ArduiniSenior Animator, Rainbow CGI
beginner
3h 26m
8 Lessons
Instructor Sarah ArduiniSenior Animator, Rainbow CGI

Sarah Arduini is a Senior Character Animator with over a decade of experience in feature animation and visual effects. Originally from Rome, Italy, she is a self-taught artist whose passion for performance driven animation led her to work with some of the industry's most respected studios, including MPC, Framestore, and Industrial Light and Magic.


Her film credits include The Jungle Book, which received the Academy Award for Best Visual Effects, as well as Beauty and the Beast, Guardians of the Galaxy Vol. 2, Star Wars: The Last Jedi, Jurassic World: Fallen Kingdom, and The Lion King, where she worked as a Key Animator. She contributed to the performance of Supreme Leader Snoke and helped bring complex creature characters to life through nuanced animation.


Sarah currently works as a Senior Animator at Rainbow CGI and is actively involved in education, teaching character animation and participating as a guest speaker at academic institutions in Italy.

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  • Video reference is the secret ingredient to great animation and Sarah’s course is a must for anyone wanting to learn or enhance their art and craft of character or creature work. Drawing on her talent and personal experience from some of the most challenging VFX films, Sarah will teach you to effectively use video reference to bring a new level of believability, realism, physical weight and acting performance to your work. I can’t recommend it highly enough!

    - Chris Hurtt
    Animation Supervisor at Framestore

  • Sarah was one of the best animators I had the pleasure to direct. Her sensitivity, professionalism, and attention to detail were impressive. Despite her high-level animation and acting skills, she's always eager to learn and pass on that knowledge, which makes her unique and reliable. Definitely an artist one wants as part of the team and hopefully as a director one day.

    - Miguel A. Fuertes
    Animation Director / Supervisor

  • Sarah is ann incredibly talented animator with a firm grasp on the subtle complexities that make a shot sparkle. Her characters exude a liveliness and appeal that almost seems effortless.

    - Ted Lister
    Associate Animation Supervisor at Industrial Light & Magic

  • I had the pleasure of working with Sarah on a number of projects at MPC. The most recent being Disney's The Lion King. Sarah is a driven, passionate and most importantly, talented animator who has contributed greatly to all projects she has worked on. Having an eye for animation gives Sarah the ability to give constructive, insightful feedback. I look forward to working with her again.

    - Mathieu Walsh
    Associate Animation Supervisor at Industrial Light & Magic

  • Sarah has a wealth of experience, having worked at some of the top VFX houses in the world. Her friendly approachable nature makes her a great choice for a Gnomon workshop.

    - Keith Ribbons
    Lead Animator at Industrial Light & Magic

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